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And at the time of its release, it was the most expensive European film ever made, and it remained the highest-grossing French film at the international box office until the release of The Untouchables in 2011. The film was actually a financial success, earning more than $263 million at the box office on a $90 million budget. It was far from perfect, a huge slobbering mess with a convoluted plot that made no sense, but it was unlike any blockbuster I had seen prior. All I knew was that I saw something wild.
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Of course, I didn’t know or care what the critics were saying since I wasn’t reading film reviews and the internet still wasn’t a household thing. The film received mainly positive reviews – although it tended to polarize critics, and has been called both the best and worst summer blockbuster of all time. Luc Besson’s The Fifth Element is a wild space opus that gives you everything from the unadulterated entertainment of Star Wars to the inspired visual artistry of Blade Runnerto the slapstick lunacy of Monty Python. I saw it on opening day, and I was not disappointed.
#The fifth element professional
It didn’t hurt that I was already a huge fan of the director, a well-respected artist whose short but impressive resume included La Femme Nikita and The Professional (Leon). I clearly remember going into the theatre optimistic I was young and the thought that The Fifth Element could be the next Star Wars had me really excited. This year marks 25 years since Luc Besson’s jaw-dropping and mind-blowing space opera, The Fifth Element was released in theaters. Revisiting Luc Besson’s The Fifth Element